This winter I reworked some older paintings, in some cases creating completely new works. You can see those HERE. Another direction has emerged in the work. Mostly in a square format I have been making paintings with an all-over composition. There is motion in the paintings, sometimes reflective light, many details, but also a general gestalt. You get one painting when you look at it close up, a different one from a distance, and yet another when you move in front of it. The experience of the painting can’t be replicated in a photograph. You need to see it in person.

Every art movement, from Impressionism, Post-Impressionism, Abstract Expressionism, Symbolism, Surrealism, and Mid-Century Modernism, would not have evolved as it did without the fairly sudden and thorough inundation of Japonism in the second half of the 19th Century.