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INTERVIEW FOR PER CONTRA : By Miriam N. Kotzin
MK: When you were a child did you go to museums? Pay attention to the art in your home?
LP: When I was very young I used to pour over my parents’ two art books. One was Fifty Centuries of Art from the Metropolitan Museum, and the other was a survey of American art. What I felt when looking through those books was that I wanted to live inside a painting. We lived just outside of New York City, and my mother took me to my first museum exhibition when I was nine or so. It was a retrospective of Turner at the Modern. I remember feeling when I walked through the rooms that I wanted to know everything about what I was seeing, but I wanted to get that information directly from the paintings. I was not one to read labels.
THE GENEROUS JANET FISH
You know when there is a painter you really love, where everything about their work excites you and you go in the studio and spend all your time trying to avoid that person's work?
STILL LIFE - THE STORY
While in Paris, Dégas' close friend Giovanni Boldini painted a still life on a canvas that measured 47 1/4 inches high by 15 1/4 inches wide.