I live in a very rural part of New York surrounded by farms. The landscape influences my work, but not always in the ways you might imagine. I pass this farm on a back road to the next town. I have stopped a few times to photograph it. What I really love is how the corn crib looks in front of the silo.
It is a curved grid in front of a curved grid. In this photo it appears quite abstract. I love a subject, that is completely real and seems completely abstract.
In the final painting I kept the grid on the right and added a grid from an industrial garage door in New York City on the left. Again it would not surprise me if you could not determine the source of the image. It was the contrast of the flat grid and the curved grid that propelled me. It challenges one’s perception on several levels. The first being that I painted a perfectly representational painting that is utterly abstract. But the flatness on one side and the barely perceptible curve on the other challenges one’s sense of space. Both of these things create a subtle disruption for the viewer.