LESLIE PARKE

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PEEK-A-BOO BOXING STANCE

Peek-a-Boo, 34 inches x 48 inches, oil on paper, © Leslie Parke 1996

 For Cus d’Amato, the first order of business for his fighter's was for them to defend themselves. He developed a style of boxing called "peek-a-boo", where the fighter kept his head protected at all times by holding his hands up on either side of his face. Cus spent time teaching the fighters exactly the angle at which they needed to hold their gloves so that a punch would glide off the outside of the glove and miss their head. Ah, if there were only such a thing to protect artists from their critics.

Cus was also credited with Mohammed Ali's "rope a dope" strategy in his fight with Foreman. George Foreman's punching strength was unparalleled. If Ali were to come after him full force in the early rounds, Foreman would have quickly worn him out and then knocked him out. But hanging back and letting Foreman punch unopposed for several rounds, Ali was able to tire Foreman out, so that once exhausted Ali could come on with full strength and dominate him. It was a risky strategy, as Foreman could easily have broken Ali's upper arms with his punches. But it didn't fail, and the rest is history.

As an artist, I had my eyes on my own champions George Bellows and Thomas Eakins. Well, not a bad showing for a girl. 

Thomas Eakins

Breath, 45 inches x 60 inches, oil on canvas, Private Collection, Florida, © Leslie Parke 1996

Eakins, Salutat

The Winner, 40 inches x 30 inches, oil on canvas, © Leslie Parke 1996

Bellows, Counted Out

Out, 22 inches x 30 inches, oil on paper, © Leslie Parke 1996

Bellows, Dempsey and Firpo

Pushing Off, 44 inches x 56 inches, oil on canvas, © Leslie Parke 1996

Bellows

Montell, oil on paper, © Leslie Parke 1996

Bellows, Stag at Sharkeys

Punch, 42 inches x 68 inches, oil on canvas, © Leslie Parke 1996